So I fought it for a year. And I fought it hard. I didn’t want to rent it. I wanted to rightfully own it. The way I have for years. The way we all have for years. Why should I have to ‘rent’ the software I need for my work? Why can’t I buy it anymore? It made no sense. And it didn’t seem right. And it didn’t seem fair. So there was only one thing left to do. Rent the software. Yeah, that’s right, I did it. I made the switch to the Adobe Creative Cloud. And here’s why it finally just had to happen.
Read MoreSo this is what was supposed to happen. My landlord’s friend has a condo up in Mammoth. He wanted new pictures of it in order to prepare rental listings for the coming winter season. It hasn’t been rented in several months, so I figured this would be a good week to go. I got the green light from him, from the landlord, and off I went, driving along the Eastern Sierras of California…the ‘Range of Light.’ A relatively painless drive to spend a few days in a part of California I’ve never been to, take some pictures, get some writing and some work done in the solitude of the Sierra Nevadas for a few days, and then head back home. Well, let’s just say, that got derailed in a big way, spontaneously turning this into much more of an adventure than I expected.
Read MorePhotographers bread and butter depends 100% on their camera and their camera gear, and the simple fact that this gear must be on our backs at all times, very often in sketchy situations and locations, lends to the necessity of insurance for their gear. There are many options for insurance tailored to photographers and creatives, so here are a few of those to check out:
Read More"If you see the illusion you are enlightened,
but if you think that you are enlightened,
you are in the illusion!”
-Papaji
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From me to you, There’s This Week’s
Monday Kick In The Yahoo!
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Do It!
Read MoreWelcome to The Proof Sheet, where each week I'll post some of the more notable photography news in sweet, chewy, bite-sized, easily-digestible morsels. Click the Read More for this week's stories.
Read MoreWith the advent of mobile optimized tools like Instagram and Flickr and Hipstamatic and the such, a common grumble amongst professional communities is how they’re nothing but cheesy toys that are 'cheating' and 'not professional' and 'have taken the art out of photography’ and 'blah blah’.
I know.
I was one of those people.
Read MoreWith Apple opening up controls to iPhone’s native camera in the soon-to-be-released iOS 8, allowing access to manual photo controls, and the fact that the iPhone camera is already the most popular camera phone, we might just see a significant uptick in the quality of all those selfies and your coworkers lunches, cats, and margaritas (well that depends on how many margaritas I suppose). Most people that use their iPhones as cameras use the native app, and with that comes no controls other than aspect ratio and front or rear facing camera, and most third party apps that offer some version of manual controls proving either clunky or digitally over-ambitious at best. But now, with iOS 8, they're going to see a lot of options that they may have never even heard of before.
Read MoreIt eventually happens to every new photographer. You’re out in the field. You’re setting up to make a shot, and you see others around you setting up for a shot, only, some of these people have these strange contraptions attached to the front of their lens. It looks like a huge piece of square glass. You sit there. You stare. You wonder. And when you get back home, you Google ‘square things on lens.’ The first time this happened to me, I was set up to shoot some images of Bonsai Rock in Lake Tahoe, California several years back.
Read MoreWelcome to The Proof Sheet, where each week I'll post some of the more notable photography news in sweet, chewy, bite-sized, easily-digestible morsels. Click the Read More for this week's stories.
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